I’m very honored that Profane was declared best movie for 2011 by Bad Lit. Thank you Mike Everleth! Check out Bad Lit a great site for all things underground film!

By Mike Everleth

Choosing Bad Lit: The Journal of Underground Film’s 2011 Movie of the Year came down to a near dead heat. There were two movies that came out this year filled with such grand ambition, artistry and skill that the decision almost came down to a tie before ultimately settling on the singular Movie of the Year tradition.

That movie this year is Usama Alshaibi‘s Profane, a … Read the rest

Slovenian blogger Total (no) subjective review of Solar Anus Cinema. Translated into English using Google translate. 

No, I’m sailing in the waters porn than you think to the title, but the art combined with the exploitation of the body. The title of this blog is derived from the collection of short films, between 2001 and 2008 recorded born in Iraq and staying versatile artist Chicago Usama Alshaibi . An artist who is one of the movie screen, but above all in the space of galleries and skvotov. It creates video installations that explore the issue of physicality and sexuality.If I’m … Read the rest

I really enjoyed reading this review by Sargasso Sea, a creative collective blog:

If there’s one thing I’m sick of, it’s not caring. Perhaps not caring is the same as apathy or indifference or a side effect of being a teenager, but I’m not entirely sure. All I know is that too often I read a book or see a film and by the end of it, I find myself profoundly unaffected. As if nothing had ever happened, as if my viewpoint had emerged unaltered – and that’s when familiarity becomes truly contemptible.… Read the rest

This essay is by writer and film programmer Jack Sargeant. Here he discusses the novel Crash and its relationship to other artist including my films. The novel by J.G Ballard had a huge impact on me when I read it as a teenager.-Usama Alshaibi

Ballard And Trauma by Jack Sargeant

The following notes  formed the basis for a talk at the Erotics Conference that took place at Griffith University in Brisbane in February and more recently a public talk as part of the Decadent Society. At some point a more literary version may well be completed for publication, … Read the rest

Profane

Like a bargain-basement version of Gaspar Noé’s Enter the Void, this Chicago-shot feature by Usama Alshaibi (Nice Bombs) uses a panoply of shock tactics—rapid editing, blurry superimpositions, drug use, and S-M—to evoke nauseous fascination with the sexual underworld. And like Noé, Alshaibi seems as curious about religious transcendence as degradation. The heroine, a Jordanian immigrant, works contentedly as a dominatrix but wants to reconnect with her Muslim roots; scenes of her lurid career alternate with a sweet subplot in which she befriends a religiously devout Middle Eastern cabdriver. Though certainly not for the squeamish, the movie is a striking … Read the rest

In his still relatively young, yet incredibly prolific, career, Iraqi-American filmmaker Usama Alshaibi has mostly exhibited three very distinct and separate styles in his approach to his films.

There are the highly sensual and sexual portraits of women, such as Traumata, Gash and Organ Molly. There are the serious and personal documentaries, such as Nice Bombs and the still-in-production American Arab. And there are his gonzo, transgressive “comedies” such as The Amateurs and The Foreigner.

However, for his latest feature-length, fictional narrative film Profane, Alshaibi has melded all of those styles into a singular, cohesive vision … Read the rest