PRESS QUOTES
Like a bargain-basement version of Gaspar Noé’s Enter the Void, this Chicago-shot feature by Usama Alshaibi (Nice Bombs) uses a panoply of shock tactics—rapid editing, blurry superimpositions, drug use, and S-M—to evoke nauseous fascination with the sexual underworld. And like Noé, Alshaibi seems as curious about religious transcendence as degradation. The heroine, a Jordanian immigrant, works contentedly as a dominatrix but wants to reconnect with her Muslim roots; scenes of her lurid career alternate with a sweet subplot in which she befriends a religiously devout Middle Eastern cabdriver. Though certainly not for the squeamish, the movie is a striking story of life in the Arab diaspora, aided rather than undermined by its occasional narrative incoherence. —Chicago Reader
Torn between ecstasy and submission, Muna takes an unorthodox path to enlightenment, one that Profane dramatizes with documentary methods and psychedelic imagery. Alshaibi demonstrates that true reverence sometimes requires transgression. – The Boston Phoenix
This is one of the most heretical and daring visions of sexuality ever filmed, transgressive in a way comparable to how Last Tango in Paris was 40 years ago and Shortbus five years ago. Iraqi-American filmmaker Usama Alshaibi probes the psyche and mileu of Muna, a Muslim dominatrix for whom extreme kink and piety are blended seamlessly into her life. Manal Kara gives what is simply one of the most courageous and sexually penetrating performances ever filmed. It’s on a par with the sexual breakthrough performances of the iconic films of Nagisa Oshima (In the Realm of the Senses, Taboo). Moreover, erotic guilt-driven fantasies of the American soldier comprise an added fascinating layer to this magnificent work. Arguably the best movie ever to be set in Chicago. – Lavender Magazine